4:2:2 vs. 4:4:4

When shooting with my F3, I want to get the best possible image out of it. Now I have the options to shoot in 4:4:4 or in 4:2:2 chroma sampling: where is the difference in quality? How does the 4:2:2 prores capture compare to the 4:4:4 uncompressed signal? Here is my quick and dirty test.

Posted at 1pm on 6/4/12 | 2 comments | Filed Under: productions, tools | read on

Sony F3 4:4:4 RGB uncompressed workflow

So I got my Sony PDW-F3 including the paid S-Log/4:4:4 upgrade since August. Since then I was searching for the perfect solution to record the 4:4:4 output of the camera. With the advent of the Ultrastudio 3D from Blackmagic and Thunderbolt RAIDs I don’t see any point in buying a Gemini444 anymore. Here is my current workflow.

Posted at 5pm on 26/11/11 | 9 comments | Filed Under: tools | read on

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This blog provides unprocessed, thus various – not of a specific kind and mostly disregardable – information about topics that have aroused my interest by either being important to me because of numerous reasons or could be interesting for someone else. In short this is just another weblog with one major difference to every existing one: it’s by me.

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